Rating of the best lenses for Canon cameras – review and opinion of users about 16 lenses

A mirror or system camera can not exist without a lens. It is this element that most affects the quality of the image. If you buy high-quality optics – photos will please you much more! This rating should help all owners of Canon photographic equipment. Only the best lenses are presented in it. Buying any of them will bring you a lot of positive emotions.


Best standard lenses with a constant focal length for Canon cameras

  1. Canon EF 50 mm f / 1.4 USM – Best value for money. The most popular standard lens
  2. Canon EF 40 mm f / 2.8 STM – Best price. The best semi-professional lens

Best standard zoom lenses for Canon cameras

  1. Canon EF-M 18-55mm f / 3.5-5.6 IS STM
  2. Canon EF 24-105mm f / 4L IS USM – Best Reporting Lens for Full-Frame Cameras
  3. Canon EF-S 18-135mm f / 3.5-5.6 IS STM – Best value for money. Wide opportunities at a low price
  4. Canon EF-S 17-55mm f / 2.8 IS USM – Best replacement for whale lens for non-frame cameras

Best Portrait Lens for Canon SLR Camera

  1. Sigma AF 50mm f / 1.4 EX DG HSM Canon EF
  2. Canon EF 50mm f / 1.2L USM

Best telephoto lens for Canon SLR camera

  1. Canon EF 70-200mm f / 4L IS USM – Best telephoto lens with variable focal length
  2. Canon EF 135mm f / 2L USM – Best telephoto lens with constant focal length
  3. Canon EF-S 55-250mm f / 4.0-5.6 IS II – Best Lens for Non-Framed Cameras

Best wide-angle lenses for Canon cameras

  1. Canon EF 17-40 mm f / 4L USM – Best value for money
  2. Canon EF 28 mm f / 1.8 USM – Best wide angle lens with fixed focal length
  3. Canon EF-S 10-22 mm f / 3.5-4.5 USM – Best Ultra-Wide Angle Lens for Non-Framed Cameras

Best Macro Lens for Canon SLR Camera

  1. Canon EF 100mm f / 2.8L Macro IS USM

Best fisheye-lens for Canon SLR camera

  1. Samyang 8mm f / 3.5 AS IF UMC Fish-eye CS II Canon EF

Best standard lenses with constant focal length for Canon cameras

1. Canon EF 50 mm f / 1.4 USM

The Canon EF 50mm f / 1.4 USM lens is popular with both professionals and amateurs. And there are several reasons for this.
Canon EF 50 mm f / 1.4 USM

The best value for money. The most popular standard lens

Canon’s lens rarely lingers in the shop windows. The most popular standard lens it became for two reasons:

  • About the lens with 50mm focal length dreams of every amateur photographer
  • This model embodies the best value for money

The price remains affordable for fans, but the quality of optics is enough for shooting portraits with a professional camera. In comparison with cheap “fifty dollars” from Canon, the EF 50 mm f / 1.4 USM lens looks solid. Heavy construction – 290 grams – creates a pleasant first impression. And it’s not deceptive.

The classic portrait lens gives a sharp picture and a spectacular blurring of the background. A beautiful bokeh appears due to the eight-petal diaphragm. The lens belongs to the most luminous, with it it’s nice to work without a flash even in poorly lit rooms. But users note that opening a diaphragm 1.4 is actually a non-working one. The chromatic aberrations come out, the image quality drops. The lens is suitable for both crop and full-frame cameras. But on budget mirrors, the possibilities of optics will not be fully revealed, the optimal variant of shooting is a half-length portrait. Portraits in full growth, landscapes will not look so good, but to achieve a good result is real.

The ultrasonic autofocus motor works quickly and silently, but the automation often misses. The drawbacks of the lens include the unreliability of the design: the plastic ring for manual focus adjustment requires delicate handling.

The overall quality of the lens assembly is very good thanks to the metal fastening and the outer part of the case, made of high quality plastic. The focus ring works smoothly, it is wide and rubberized, which is a tangible plus in comparison with the tiny focusing ring 50mm f / 1.8 II. The inner part is slightly extended (1 cm maximum) during focusing at close distances.
Canon EF 50 mm f/1.4 USM

Image Quality

On a fully open aperture, the EF 50mm f / 1.4 USM lens gives a good picture, but it’s far from perfect. Sharpness is reduced compared to the results at f / 2 and above, and chromatic aberrations are expressed – pink-blue haloes around contrasting objects, especially in backlight. The situation is significantly improved if you close the aperture to f / 2.8 or more. The very drawing of the lens is pleasant, with soft blurring of objects outside the focus (bokeh). The EF 50mm f / 1.4 USM Bokeh lens is clearly better than the “flat-footed” EF 50mm f / 1.8. If you compare 50 mm f / 1.4 with a much more expensive EF 50mm f / 1.2L USM, then the last bokeh, if not better, then not much. In general, in many cases, the bokeh can be strengthened by correctly choosing the background and the distance to it.
When using an extension ring, the image is even “softer” than usual, so to achieve a good picture, either close the aperture or use a real macro lens. But as an artistic effect, this softness can be accepted.

When using a lens with its “native” lens hood, the ES-71 II manages to get rid of the glare caused by side lighting, but if the light from a bright object goes directly from the front, then glare and reflections in the optical system are inevitable.


  • + Aperture
  • + Availability
  • + Compactness
  • + Versatility: good for many photo genres
  • + The front element does not rotate when focusing and zooming
  • + Distortions of the perspective are insignificant and little noticeable in the photographs
  • + Quick focus.


  • – Shaky plastic construction
  • – Unreliable focus mechanism
  • – Strong vignetting on the open diaphragm
  • – The presence of chromatic aberrations

Video review

2. Canon EF 40 mm f / 2.8 STM

Canon EF 40 mm f / 2.8 STM
Undisputed advantage of the lens is its versatility. Looking at the technical characteristics, professionals can wrinkle their nose – “neither that, nor this,” but among fans, the Canon EF 40 mm f / 2.8 STM lens claims to be the best. He does not fall under the usual classification: it’s not a portrait, but fully and not a wide-angle. Minor distortion of space with such characteristics of the review is inevitable, but it does not strike the eye. At the same time, the focal length, which is smaller than that of the fifty-kopeck piece, allows the photographer to turn around in small rooms, as well as shoot landscapes and portraits on the street.

Experts and consumers note the high quality of the assembly, uncharacteristic for inexpensive models of lenses with a fixed focal length. Metal bayonet ring, quality plastic with rubber inserts. The lightness and compactness of the lens helps in traveling. The pictures leave a pleasant impression. Smooth color transitions, a little past in pastel colors. Chain autofocus.

When the maximum opening of the diaphragm 2.8 is not worth counting on a spectacular bokeh, but the blurring of the background is nice to the eye. Owners of SLR cameras point out that in terms of bokeh expression the lens is not inferior to the budgetary fifty-kopeck piece with aperture of 1.8. But it is not so comfortable to photograph them in low-lighted rooms. Without a flash, it is unlikely to achieve a decent result when using light from a window in the back of the room. The loud noise of the motor spoils the sound.

The manufacturer promises smooth focusing of STM, the lens is adapted to video shooting. But here consumers are disappointed: the loud noise of the motor spoils the sound. This is far from the best optics for shooting scenes.

Canon EF 40 mm f / 2.8 STM

The length of the lens is nothing, just 2 cm with bayonet. So with small DSLRs, such as the Canon EOS 100D – see here for more details, it’s easy – the dimensions will be about as large as the mirrorless ones. That is, they will fit even in a small women’s bag. Controls – a minimum. Under the thumb of the left hand is the shift lever between manual and automatic focusing. At the end of the lens is a plastic wheel with a texture under the tractor rubber. But the hand does not slip.

Although the side of the lens is adorned with the proud inscription “Macro”, in reality the minimum focusing distance is 30 cm, which is not enough for this focal length. None of the full 1: 1 macro is not talking. In TX stated an increase of 1.5.5.

There are no chromatic aberrations, at least with the naked eye you will not see them – the data say that parasitic colored dots in size are less than a pixel. This statement is true for both full-frame and crypted cameras.


  • + Qualitative optics
  • + Small size
  • + Quiet auto focus
  • + Compact and robust design
  • + Low cost


  • – Poor resistance to back-light
  • – No blend included
  • – Not the fastest auto focus

The Canon EF 40mm f / 2.8 STM lens is the case when an impressive picture instantly destroys the anomaly that arose because of the low price and the size of the prejudice. For photographers with APS-C cameras, this glass is an excellent addition to the whale lens, for users of the full frame – a wonderful versatile lens. The STM technology works great, the build quality is also at its best.

Video review

Best Standard Zoom Lens for Canon Camera

For the novice amateur photographers, the lenses with variable focal length will seem most comfortable. By twisting the zoom ring, you can delete and zoom in on the objects while standing still. A similar function is in digital soap boxes, so it seems familiar. However, universality is reflected in the quality of the images. With the same settings, genre optics will give the best picture. It is important to understand that approaching / deleting objects changes not only the filling of the frame, but also the viewing angle. A whale lens with a focal length of 18-55 at minimum focusing values ​​is converted into a wide-angle lens, and at maximum focuses into a portrait. But the capabilities of the kit-kit are limited, lovers of travel and reportage shooting it makes sense to pay attention to lenses with a wide range of focal lengths and enlightened optics.

1. Canon EF-M 18-55mm f / 3.5-5.6 IS STM

Canon EF-M 18-55mm f / 3.5-5.6 IS STM
Quality optics, especially for system cameras, should be costly. But the Canon EF-M 18-55mm f / 3.5-5.6 IS STM is not the case. For a very modest price amateur photographer gets an easy and compact model, suitable for taking pictures in different genres. Ideal optics primarily for shooting landscapes – this contributes to the 18-millimeter focal length. The optical stabilizer allows for a longer exposure time. Not bad are obtained and portraits. Although a truly beautiful bokeh will not be able to get – an insufficiently wide opening diaphragm is affected. The lens will be an excellent choice for the fan of video shooting. You will appreciate the STM technology, which makes focusing as smooth as possible.

A wide-angle lens for Canon systems and APS-C matrix, distinguished by the characteristics of the diaphragm – its value can reach 38. The range of focal lengths is 18-55 mm, the aperture is f / 3.5- f / 5.6. Equipped with a micro-motor-based autofocus drive and an image stabilization system.

Main advantages:

  • The minimum weight (210 g)
  • Optical stabilizer
  • Smooth and accurate focus
  • Good sharpness
  • Low Price


  • Not the best light-gathering power

Video review

2. Canon EF 24-105mm f / 4L IS USM

Best reportable lens for full-frame cameras

Canon EF 24-105mm f / 4L IS USM
If you own a “mirror” and want to first do with only one lens, then you need a universal optics, equipped with a sufficiently wide range of focal lengths. Such as the Canon EF 24-105mm f / 4L IS USM. The high cost of this lens is due to the complex design. The creators managed to give “glass” a permanent diaphragm. The hole can expand to f / 4 at any focal length! Need I say that this makes the optics very light? Also, such a diaphragm allows you to beautifully blur the background, achieving excellent portraits. There is an optical stabilizer in the lens. It will help make the exposure longer, which is required in low light conditions. Buyers praise their lens and for high sharpness. After buying this model, you will not think about buying another optics for a long time – especially if you are not a professional who earns money with a photograph.

Canon Zoom Lens EF 24-105mm 1: 4 L IS USM Ultrasonic (abbreviated – Canon 24-105 / 4 L) is a good professional universal zoom lens for full-size Canon EOS cameras. Canon was the first company to introduce a lens with similar parameters to the public. After 5 years and Nikon pulled up and released its Nikon N AF-S Nikkor 24-120mm 1: 4G ED VR SWM IF Aspherical Nano Crystal Coat.

Canon 24-105 / 4 L often goes as a basic (ie whale) lens to some Canon cameras of the upper price range. In this package, its cost is much lower than the cost for a single purchase. Over time, Canon 24-105 / 4 L fell in love not only with photographers, but also with videographers and became quite a popular and successful lens.

Canon EF 24-105mm f / 4L IS USM


Canon EF 24-105mm f / 4L IS USM
The lens is well-assembled and has protection against dust and moisture, as it should be for all professional lenses. The focus ring and zoom are rubberized. The body is made of plastic from the outside, with a metallic bayonet, but, most likely, with metallic insides. The elongating part of the frame of the body consists of only one part. To the touch it is pleasant and weighty, its weight is 670 grams, Canon 24-105 / 4 L uses large filters of professional diameter of 77 mm. In hands, according to the tactile sensations of build quality, this Canon 24-105 / 4 L slightly loses the old monster Canon Zoom Lens EF 24-70mm 1: 2.8 L USM.


The lens has a built-in image stabilizer IS (Image Stabilizer). It is stated that the stabilizer can compensate up to 3 stops for exposure (you can shoot at shutter speeds of 8 times shorter). In practice, the stabilizer works well, immobile objects can be removed without any problems with hands at shutter speeds up to 1/15 of a second. I used a lens on a crocheted camera, with heavy full-length cameras the threshold exposure should still increase.
Canon EF 24-105mm f / 4L IS USM


Canon 24-105 / 4 L uses ultrasonic focusing motor Canon USM (Ultrasonic) and focuses quickly (I would even say – very quickly). The focus is quiet enough.

The new lens for the quality of the autofocus took the baton from the old one – it works quickly, accurately and silently. Its speed is more than enough for reporting shooting, even without thinking. In practice, sometimes more time consumed the combination of the desired point of focus with the subject of photography, and autofocus on the reaction rate did not fail once. The accuracy of the claims also did not arise: confirmation of autofocus always meant a zone of sharpness exactly where the point of autofocus is directed.

The minimum focusing distance is 0.45 m at any zoom position. For macro photography of jewelry, such an increase is not good, but for close-up photography of objects with the size of a credit card, the capacity of the lens is sufficient.

Main advantages:

  • Versatility
  • Optical stabilizer
  • Very high sharpness
  • Quality build
  • Good for optics of this type of aperture
  • The increased resolution corresponds to modern multi-megapixel sensors
  • Detailing is uniform across the frame field starting at the open aperture
  • Absence of distortion and aberration in the middle position of the zoom
  • Confident backlighting
  • Improved AF speed and accuracy;
  • Highly efficient optical stabilization system (up to 4 steps)
  • Beautiful bokeh
  • Dust and moisture protection
  • The hood is included.


  • High Price
  • Sometimes chromatic aberrations appear
  • Minor distortions in extreme zoom positions

Conclusions about Canon EF 24-105mm f / 4L IS USM

Canon EF 24-105mm / 4L IS II USM – strong, reliable and even more convenient in comparison with the predecessor working tool. Coupled with the modern high-sensitivity camera Canon EF 24-105mm / 4L IS II USM allows you to shoot various scenes – from the landscape with a myriad of small parts to reportage in the night city. The weighted set of characteristics is affected: high sharpness, convenient range of focal lengths, fast autofocus, presence of the stabilizer.

Canon EF 24-105mm f / 4L IS USM

The lens will also be interesting for videographers who shoot a full-frame SLR: a uniform picture of the frame, well-adjusted aberrations, a constant aperture and a silent auto focus drive.

The resolution of the Canon EF 24-105mm / 4L IS II USM is enhanced by changing the optical scheme, and it is enough to work in pairs with any modern multi-megapixel sensor, as well as those that will appear later. The image stabilizer has undergone serious modification. He honestly works up to 4 stages of exposure of relative critical value, and sometimes more.

Bokeh Canon EF 24-105mm f / 4L IS USM

In addition, the Canon EF 24-105mm / 4L IS II USM beautiful bokeh. Perhaps this is not the strongest argument in favor of the lens. But the more perfect bokeh, the less the background distracts from the main subject of photography, so it makes sense to choose this new generation lens, if you plan to often shoot portraits and other similar subjects.

3. Canon EF-S 18-135mm f / 3.5-5.6 IS STM

Canon EF-S 18-135mm f / 3.5-5.6 IS STM

The best value for money. Wide opportunities for a low price

Despite the affordable price, the lens has a solid look and impressive weight (480 grams). The characteristics are similar to the whale, which is purchased with the camera, but wins due to the increased range of focal lengths – from a wide-angle lens to a long-focus lens. Of the advantages of the owners of incomplete cameras note the tenacious autofocusing. From the stabilizer in low price categories one does not have to expect much, but he is a worker.

Even more universal makes it quiet motor STM, adapted to the shooting of video. The stepper motor is smoothly and quickly induced to sharpness, without creaking sound and temporal loss of sharpness.

The main drawback is low light-gathering power, but for a budget lens this is predictable. EF-S 18-135 mm f / 3.5-5.6 IS STM – an excellent option for a beginner amateur, representing the best value for money.

Canon EF-S 18-135mm f / 3.5-5.6 IS STM

If you look at the characteristics of the lens, we can conclude that it is perfect for video shooting, so it’s no surprise that it comes with the Canon EOS 70D. The autofocus drive is STM Stepping Motor. The speed of pointing to the sharpness is staggeringly high. Even in the dark there are no delays. And when working with video, it’s just irreplaceable – quiet drive does not create noise when recording and correctly translates the focus from one object to another with a simple tap on the screen. In many cases, it can completely replace the manual focus on the sharpness from one plan to another for the artistic effect on the video.
Canon EF-S 18-135mm f / 3.5-5.6 IS STM
Vignetting can be observed only at the maximum open aperture at focal lengths of 18 mm and 24 mm. But it’s worth while to hide on the stop or a little bit to become obsessed – and the problem will disappear.

Chromatic aberrations are present, however, to see them, you need to arm Lightroom / Aperture or another advanced editor and at high magnifications to look for parasitic color pixels. And adjust them on the go. But I’m not sure that someone will notice defects on prints smaller than A3. In addition, you can always hide on the foot and forget about the problem.

Optical stabilizer

Canon EF-S 18-135mm f / 3.5-5.6 IS USM is equipped with an optical stabilizer. And he was made here obviously not “for a tick”. This becomes clear, as soon as you press the shutter button halfway. The picture in the viewfinder freezes and stops shaking.

The stabilizer also works effectively with video shooting from the hands, allowing you to get smooth rollers even without a tripod.

Image Quality Canon EF-S 18-135mm f / 3.5-5.6 IS STM

The optical scheme of Canon EF-S 18-135mm f / 3.5-5.6 IS USM consists of 16 elements in 12 groups. Here is a complete analogy with his closest relative Canon EF-S 18-135mm f / 3.5-5.6 IS STM. Perhaps optically, both lenses are completely identical.

The lens feels quite confident when shooting in a hard backlight. In the wide-angle position around the sun, characteristic rays and small flares can form, and at f / 8 – glare.

Canon EF-S 18-135mm f / 3.5-5.6 IS USM is capable of providing a relatively strong background blur for the zoom. Boke is not inclined to doubles, looks “calm” until the single bright points appear in the background: drops, light bulbs, etc.

Bokeh Canon EF-S 18-135mm f / 3.5-5.6 IS STM

Reviews for Canon EF-S 18-135mm f / 3.5-5.6 IS STM

This is a “must have” lens that will allow in the conditions of a limited budget to determine in the future the motion vector in the direction of specific lenses for its own favorite photography genre, and will also become a true helper for novice video lovers. Therefore, I believe that if you buy your first camera, then definitely take a whale version. There must be a lens for all occasions, which can be removed almost anything.

– this is an excellent universal lens for all occasions. If you shoot photos and videos, travel a lot and do not want to buy an expensive set of replaceable optics, pay attention to this model. Thanks to a convenient wide range of focal lengths, the lens is perfect for almost any subject. The new Nano USM autofocus drive is very fast, if you shoot a photo, and it works incredibly smoothly when shooting with compatible cameras. Another useful function for videographers is the possibility of attaching the PZ-E1 servo adapter.

And in the photo, and in the video to get a qualitative result helps the optical stabilizer. He fulfills the declared four stages of exposure when shooting with hands. The lens has a good aperture for the aperture on the open diaphragm and shows very good results with a diaphragm one stage. In pluses it is necessary to bring a low level of chromatic aberrations and a good bliko-protection. However, in the teleposition a slight drop in contrast may occur when shooting in a hard backlight. The bokeh lens is not so “right”, but if you choose subjects with a not too contrasting background, then the photographer has the opportunity to beautifully and artistically blur it.


  • A convenient zoom range;
  • fast and smooth autofocus Nano USM;
  • the ability to install the servo adapter PZ-E1;
  • An effective image stabilizer
  • relatively high sharpness at the closed diaphragm
  • Low level of chromatic aberrations
  • a short focusing distance.


  • uncomfortable selector buttons
  • sharpness drop along the edge of the frame on the open diaphragm
  • Not always soft bokeh.

Video review

3. Canon EF-S 17-55mm f / 2.8 IS USM

Best replacement for a whale lens for a non-frame camera

Canon EF-S 17-55mm f / 2.8 IS USM

Among optics for incomplete frame cameras, the lens is considered expensive. Impressive cost inevitably dictates high requirements to the quality of optics. Judging by the reviews, the glass justifies the expectations of amateur photographers.

A narrow range made it possible to achieve high efficiency of the optics: sharp frames are obtained at all focal lengths. Unlike budget models, the Canon EF-S 17-55 mm f / 2.8 IS US has a working 3-stage stabilizer. With it, it’s comfortable to shoot on short exposures without a tripod. The lens is light, suitable for shooting indoors without a flash near the window.

Some amateurs note the effect of vignetting and distortion, but “barrels” and “pillows” can not be called pronounced. The only significant drawback for such an expensive glass is the unreliable body. With prolonged use, the heavy “trunk” loosens and begins to fall out under its own weight. But despite the shortcomings, this optics will be the best replacement for the whale lens for incomplete frame cameras.

Canon EF-S 17-55mm f / 2.8 IS USM

Canon EF-S 17-55mm F2.8 USM IS is hardly an ideal lens. It does not have a blend in the kit with a price of $ 1000, and the resolution values ​​are far from the maximum. But at the same time the resolution is the best among the standard zoom, the defect levels are low, and the build is strong and inspiring. Therefore, as for me, the only drawback of this lens is its price.

Advantages of the Canon EF-S 17-55mm f / 2.8 IS USM:

  • A very convenient focal length range of 17-55mm, which in terms of 35mm film or Full Frame cameras will give the equivalent in viewing angle of 27-88mm. Equivalent focal lengths are very similar to all the favorite range for a full frame of 24-70mm or 28-70mm. With these focal it is possible to shoot almost everything. In fact, the whale lens 18-55mm gives almost the same range, so it’s very easy to figure out if you need a more expensive high-performance counterpart.
  • A constant large aperture of F / 2.8 over the entire range of focal lengths. In principle, a large aperture, it differs from the whale 18-55. At what the diaphragm 2.8 is already fully working, which surprised me very pleasantly.
  • Image stabilizer. The stabilizer really works its function, at the wide end in 17mm it is possible to shoot without any special difficulties with exposures of the order of 1/10 seconds, and on the long one for 1/20 seconds. Attention: the stabilizer is not a panacea, it can not replace a tripod, it only helps to shoot at longer exposures. Considering the large aperture, the lens can also be used in conditions with poor illumination.
  • Very fast auto focus with USM. Focusing is just amazing, autofocus works very, very quickly, for this parameter you can easily put 5 points out of 5. Manual focusing is also very convenient, with the ability to adjust the focus without transferring the lens to manual mode (called FTM – full-time manual focusing). This means that after autofocusing, you can easily twist the focus of the focuser with the focuser ring to the desired state. Also, the focuser’s ring has an unrestricted smooth stroke after reaching the specified values. The only drawback of manual focus is the small stroke of the ring, somewhere in 45 degrees.
  • The front element does not rotate or protrude when focusing. You can safely wear any kind of filters.

Disadvantages of Canon EF-S 17-55mm f / 2.8 IS USM:

  • Price. Although for such a lens to give $ 1000 is quite normal. For example, a similar lens in the Nikon 17-55mm f / 2.8G IF-ED AF-S DX Zoom-Nikkor is 1.5 times more expensive and it does not have a stabilizer. Because choosing a system with a slant to use a semi-frame camera with a high-aperture zoom mid-focus – Canon wins at a price.
  • Dust and moisture lens is not protected. There are no blends in the kit.
  • Only suitable for Canon EOS half-frame cameras. It’s a shame to give such money, and then go to the full frame and take 24-70 2.8
  • When zooming, the rear lens group walks, but the stroke is not large at all. The truth is enough to suck in the dust.

Reviews for Canon EF-S 17-55mm f / 2.8 IS USM

When working, the lens causes only positive feedback. The lens is very convenient to operate, has a solid look and to the touch is very good. Speed ​​autofocus just surprised. It’s strange that this lens was not assigned the class L, because according to Wikipedia Canon EF-S 17-55mm f / 2.8 IS USM is the best lens for Canon’s scraped cameras. The maximum magnification is 1 to 6 by 55mm, so you can forget about the macro.

Video review on Canon EF-S 17-55mm f / 2.8 IS USM

Best Portrait Lens for Canon SLR Camera

Sigma AF 50mm f / 1.4 EX DG HSM Canon EF

Sigma AF 50mm f / 1.4 EX DG HSM Canon EF
This model is designed for beginners – so it’s easy to use. If a person possesses Canon technology, then his first portrait lens, undoubtedly, should be Sigma AF 50mm f / 1.4 EX DG HSM. This “glass” has very good aperture. High sharpness is observed at almost all values ​​of the diaphragm. Portraits are delicious – a beautifully blurred background does not distract the viewer’s attention. No complaints about the quality of the lens assembly. Complainted by some buyers only on a tight focus ring, this is clearly seen in video shooting. Some specimens sin with chromatic aberrations. However, this is the trouble of many high-aperture lenses. That’s why professionals prefer to cover the aperture opening when shooting outdoors. In this case, the artifacts immediately disappear.

The first thing you notice when viewing frames with Sigma 50mm F1.4 DG HSM Art, this is sharpness. It is high in comparison with proprietary analogues. Sharpness, perhaps, is the main advantage of this model. You get a reliable and predictable working tool that will provide technically quality pictures in almost any environment.

Does not spoil the quality of the images and the backlight: no glare and no light is generated. Chromatic aberrations, you will certainly find in the pictures. But their level will be extremely low for a high-aperture lens with a fixed focal length. Moreover, one must take into account that this lens is not “native” for the camera, and with intra-chamber JPG-conversion chromatic aberrations are not suppressed programmatically. With post-processing, you can easily reduce their already low level to almost zero.

Well done with the vignetting. It is noticeable only by f / 1.4 and f / 2, and even then the level of darkening of the corners is comparatively low. Here, it turns out, why such a giant diameter for the 50mm diameter of the front lens was needed.

Main advantages:

  • Fast and quiet autofocus
  • Excellent light-gathering power
  • Very good sharpening
  • High contrast
  • Very low level of chromatic aberrations
  • Lens hood and cover included
  • Quality build
  • Beautiful bokeh



  • Tight focus ring
  • Weight – 815 grams and large size

Opinion on Sigma AF 50mm f / 1.4 EX DG HSM

Sigma 50mm F1.4 DG HSM Art is the sharpest full-frame fast aperture lens with a fixed focal length that ever participated in our tests. Already at the open diaphragm, he gives such a sharpness that many of his competitors did not dream about. This is a real masterpiece of optics, embodying the victory of modern technology over all possible distortions. From a technical point of view, it provides flawless images. Vignetting and chromatic aberrations are reduced to an absolute minimum. The only subjective drawback of this model can be called not very expressive, although correct bokeh. But this is the price for the ideal characteristics.

First of all, we recommend this lens to all wedding and reportage photographers because of its high sharpness at the open aperture. Sigma 50mm F1.4 DG HSM Art will help you once and for all to forget about the problem of lack of light, allowing you to get excellent pictures already at the open aperture. However, the lens will work fine with any other genre, but only if you are ready to put up with its considerable weight.

Video comparison of Sigma AF 50mm f / 1.4 with Canon lenses

2. CanonEF50mm f / 1.2L USM

Canon EF 50mm f / 1.2L USM
This optics is intended for use by professionals. For novice amateurs such a lens will seem difficult to use and too expensive. But the masters will appreciate the design – the creators managed to open the aperture to f / 1.2. For the street, of course, this model will not work – first of all Canon EF 50mm f / 1.2L USM is designed for studio work, where several floodlights shine. Only in such conditions it will be possible to properly focus on the maximally opened diaphragm. With the right approach, you can achieve impressive results in portrait photography.

Bokeh on Canon EF 50mm f / 1.2L USM

It is because of the side, and not because of sharpness or because of other characteristics, it is worth paying attention to the Canon EF 50mm f / 1.2L USM. The lens has its own individual pattern: it is not “wadded”, like many modern models with completely corrected aberrations, but soft and expressive. Canon EF 50mm f / 1.2L USM can very smoothly separate the area of ​​sharpness from the background, first immersing in a kind of “haze” the middle plan, and then creating beautiful soft glare on the background. Background details even after a strong blur remain recognizable, continue to be read. All this allows filling the frame with volume, air. And at the same time, the picture with Canon EF 50mm f / 1.2L USM looks a bit unreal, fabulous. But this is what is valued in creative photography!
Bokeh Canon EF 50mm f / 1.2L USM
This Canon EF 50mm f / 1.2L USM is not equal. He is a real bokeh machine! The glare is perfectly round, with a uniform filling. Only on the edge of the glare can you see a thin contrasting rim. However, the “scales effect”, contrast bokeh does not appear.

Bokeh Canon EF 50mm f / 1.2L USM

Main advantages:

  • Quality build
  • High light-gathering power
  • Perfect bokeh effect
  • Protection from moisture and dust
  • Unique custom drawing
  • Soft blur on the open aperture
  • High sharpness in closed diaphragms


  • High Price
  • Great weight
  • Relatively slow autofocus speed
  • Requirement for Camera Autofocus

User Reviews of Canon EF 50mm f / 1.2L USM

Canon EF 50mm f / 1.2L USM is a creative lens with a unique pattern, with its own character. It can be used for shooting waist and growth portraits (for large-scale portraits it is better to take longer-focus optics that will help avoid perspective distortions) with a very beautiful soft effect and magic side. It will find application in a subject survey with a very blurry background. A beautiful picture Canon EF 50mm f / 1.2L USM can create literally from nothing, blurring a boring and uninteresting background.

Creative, thoughtful and courageous work with bokeh is his main application. Low speed of focusing, as well as softness of the picture on open apertures make it unsuitable in reportage and any other dynamic shooting. Paying for an excellent bokeh is also noticeable vignetting on the open diaphragm and the presence of chromatic aberrations. Canon EF 50mm f / 1.2L USM is primarily a photographic tool. It is not for those who appreciate the quality of the photo only by jangling sharpness. This is one of the last lenses on the market that can pamper the photographer with plastic, soft separation of plans, magic drawing.

Video about Canon EF 50mm f / 1.2L USM

Best telephoto lens for Canon SLR camera

Canon EF 70-200mm f / 4L IS USM

The best telephoto lens with variable focal length.

Canon EF 70-200mm f / 4L USM
The L-series telephoto lens has a robust design. Zoom and focus are hidden under a monolithic casing, which protects the optics from moisture and dust. With such a glass, a professional photographer is not afraid of any vagaries of the weather.

Despite the modest aperture, the frames are sharp over the whole range of focal lengths. Canon EF 70-200 mm f / 4L USM is suitable for shooting details, reports, portraits on the street and in spacious studios. In the conditions of an apartment with him not to turn around, but this follows from the technical characteristics. The ultrasonic motor works tenaciously and almost unmistakably. The focus switch will become an indispensable assistant for sports photojournalists.

With all the advantages, this model has a low weight, which makes it possible to shoot with hands. It only upsets the complete absence of the stabilizer, which telephoto lenses need so much to compensate for the trembling of hands when focusing on long distances.

This lens differs from many of its competitors with a constant aperture. Whichever focal length you use, the aperture opening will be able to open up to f / 4. This greatly enhances the aperture of the lens. You can not be afraid to use the Canon EF 70-200mm f / 4L IS USM even at the stadium, where modest projectors act as a source of lighting. If the light output is not enough – you can make the exposure longer. This is facilitated by the optical stabilizer available here, it allows not to be afraid of getting a blurred frame. Unfortunately, the range of focal lengths is not very wide. Therefore, with shooting, say, fearful birds, problems can arise. But this model is able to please a comfortable weight – the lens does not need to be mounted on a tripod, you can hold the camera with it.

Main advantages:

  • Quality build
  • Protection from moisture and dust
  • Low weight
  • Permanent aperture
  • Fast auto focus
  • Optical stabilizer


  • High Price
  • Not the widest range of focal lengths

Reviews for Canon EF 70-200mm f / 4L IS USM

The Canon EF 70-200 f / 4L IS USM is the real twin brother of the more affordable Canon EF 70-200 f / 4L USM. The same compact design and relatively small weight, protection from dust and moisture, very fast autofocus. And even by the nature of the image, the lenses are similar: both demonstrate high sharpness from the open diaphragm, and have a low level of chromatic aberrations. The disadvantages they have, though not too serious, but there are. And also one for two: noticeable vignetting on the open diaphragm and pillow-like distortion in the teleposition.

But there is also a very important difference – the stabilizer. It works very efficiently in the Canon EF 70-200 f / 4L IS USM, allowing you to shoot static subjects from your hands at a longer shutter speed, it’s more comfortable to shoot at the maximum focal length, more confidently to focus. In a word – a real wand, the rescue of the photographer. And if you have enough money for a stabilized version of this lens, it is better to give preference to it.


Canon EF 135mm f / 2L USM

The best telephoto lens with a constant focal length.

Canon EF 135mm f / 2L USM
Among professionals, this L-series lens got the fame of one of the sharpest. The definition of “jangling sharpness” is just about him. Among other advantages: trustworthy assembly, focus speed, rich picture, soft and smooth bokeh. The lens does not distort and will become a godsend for portrait painters who prefer to shoot in nature or in deserted streets. It is necessary to go far, therefore, people and objects should not get into the shot.

High aperture in conjunction with a full-frame camera “pull out” the picture at dusk or in a darkened room. With EF 135 mm f / 2L USM it is comfortable to work even on live footage.

With excellent characteristics, professional optics has an adequate cost, this is the best price / quality ratio in Canon’s line of telephoto lenses. According to photographers, glass has practically no flaws. The most demanding complain about the lack of stabilizer, dust and moisture protection. The options are certainly convenient, but when choosing optics are not decisive


  • very fast autofocus;
  • Beautiful bokeh and drawing;
  • the ability to limit the focus distance;
  • high sharpness
  • there are practically no chromatic aberrations;
  • build quality;
  • protection against moisture and dust.


  • high cost;
  • Relatively low light-gathering power

Video review Canon EF 135mm f / 2L USM

3. Canon EF-S 55-250mm f / 4.0-5.6 IS II

The Best Lens for Non-Framed Cameras

Canon EF-S 55-250mm f / 4.0-5.6 IS II
The super budget model gives a decent picture quality. For non-frame cameras, the best lens in its class and complete with the whale will cover the entire range of focal lengths required by the amateur photographer.

The mechanics work smoothly, at the first acquaintance the structure seems reliable. The low cost of the model is indicated only by the plastic ring of the bayonet. At this weight, optics will require careful treatment, otherwise the mounts risk not sustaining the load.

The stabilizer can not be called nimble, but the effect of its inclusion is noticeable. Professionals will see chromatic aberrations, complain about the slow auto-focus motor, insufficient sharpness and low aperture. Reproaches are just, but predictable: there is no need to count for more. The lens is solid, definitely worth its money and deserves the title of the best budget telephoto lens.

Best Wide-Angle Canon Camera Lens

1. Canon EF 17-40 mm f / 4L USM.

Best value for money

Canon EF 17-40 mm f / 4L USM.
One of Canon’s most multitasking wide-angle lenses. When shooting with a full-frame camera at small focal lengths, it becomes ultra wide-angle. At the same time, it remains possible to narrow the viewing angle to 40 millimeters and get a picture close to that seen by its human eye. On the EF 17-40 mm f / 4L, the USM will be an excellent replacement for the standard lens.

Professionals note the endurance of optics: with such a sturdy construction, protection from moisture and dust, it is not terrible to damage the technique when shooting under difficult conditions. The advantages of optics include fast, silent autofocus, color rendition and sharpness for a chicagon.

The only significant drawback is that the lens is dark, but on a full-frame camera this is compensated by ISO. But the low light-intensifier makes the price low: the wide-angle is considered one of the most accessible and best in the L-series. Users note that at low focal lengths chromatic aberrations and distortions come out on contrast images, which can be easily corrected in the photo editor.


  • + The lightest L-series lens
  • + Quality picture
  • + Inhalation protection
  • + Lens hood included
  • + Metal case, bayonet and zoom mechanism
  • + Convenient focusing and zooming rings
  • + The front element does not rotate when focusing and zooming
  • + Universal – useful both on the “crochet” and the full frame
  • + The most affordable L-series lens


  • – Low profile AF / MF switch
  • – Average aperture

User Reviews of Canon EF 17-40 mm f / 4L USM

This is an excellent wide-angle everyday lens. Maybe it will not offer you something extraordinary, but if you appreciate its compatibility with full-frame cameras (EF lens mount), build quality, then this is your default choice. The lens comes complete with a nice case and a blend. I think this blend is just a mockery, because the lens is anti-glare, so I do not often use the blend for filming on the street.

Video review

2. Canon EF 28 mm f / 1.8 USM

Canon EF 28 mm f / 1.8 USM

The best wide-angle lens with fixed focal length

The main advantage of the wide-angle fix-lens is high light-gathering power. This is one of the best lenses for working in dimly lit rooms. A chain autofocus, noiselessness and easy make it comfortable for work. Adding to this a smooth blur of the background, we get an excellent standard lens for the crop cameras. At the same time, glass has no limitation in use for full-frame cameras.

Canon EF 28 mm f / 1.8 USM is suitable for shooting landscapes, architecture, objects and even growth portraits. Close-ups should be avoided in order to avoid distortion of the proportions of the face.

With all the advantages on the maximum open aperture, the optics give out the soiled frames, but the picture is rather sharp. In general, the image quality of the owners of DSLRs is assessed as high. Another unpleasant disadvantage is chromatic aberration: amateurs pay attention to the purple fringing of contrasting lines. To bring the pictures to the ideal, you need knowledge of photo editors to fix the defect.

3. Canon EF-S 10-22 mm f / 3.5-4.5 USM

Canon EF-S 10-22 mm f / 3.5-4.5 USM
The lens is suitable for shooting large-scale landscapes and close spaces, since almost all the surrounding space can be placed in the frame. At the same time distortions are unavoidable: knowing this feature of wide-angle, professional photographers use it as a creative technique. It’s nice that chromatic aberrations and dispersion are not so significant for a wide-angle. The lens does well with the backlight. Distortions are present, but with skillful alignment of the composition, they are not striking. Sharpness can not be called ringing, but it remains even on the edges of the frame.

Canon EF-S 10-22 mm f / 3.5-4.5 USM has an excellent focusing distance – 24 centimeters, which allows you to place accents on the foreground details. Thanks to the ultrasonic motor, autofocus is fast and silent. Optics are distinguished by reliable build quality, comparable with professional lenses.

To the glass of the luxury series, the price is close, but at the same time the light intensity does not inspire optimism. For partially-framed cameras, the optics are a little dark, but Canon does not find the best ultra-wide-angle lens in this segment.

Best Macro Lens for Canon SLR Camera

Canon EF 100mm f / 2.8L Macro IS USM

Canon EF 100mm f / 2.8L Macro IS USM
This lens is used for professional photography of flowers, insects and other small objects. Optics can boast of fast and accurate autofocus, thanks to which the shooting takes place in the shortest possible time. Supplements the happy picture optical stabilizer. It allows you to make the exposure longer, so that the matrix has enough light, but the frame is not smeared. Vignetting and geometric distortion, the resulting photographs are almost completely devoid of. A wide opening diaphragm became a pledge of high aperture and a beautiful blurring of the background. At the same time, the picture remains sharp even at the maximum open hole.
Canon EF 100mm f / 2.8L Macro IS USM

Main advantages:

  • High light-gathering power
  • Optical stabilizer
  • Fast and accurate autofocus
  • No geometric distortion
  • Very good sharpening
  • Three-position focus limiter


  • High Price

Owners opinion

If you have enough money to buy this model, it’s worth taking the Canon EF 100mm f / 2.8L Macro IS USM. To date, this is a top-end macro lens in the manufacturer’s lineup. Optically, he does not win much from his fellows – this is the merit of a quality picture of other Canon macro lenses.

Canon EF 100mm f / 2.8L Macro IS USM

But the image stabilizer and the well thought out design of the focus distance limiter allow for the successful use of autofocus in large-scale macro photography. Where the other lenses often have to switch to manual mode, the Canon EF 100mm f / 2.8L Macro IS USM autofocus makes all the rough work for the photographer. In addition, the optical stabilizer makes it possible to build a frame more comfortably, avoiding shaking the picture.

Video test Canon EF 100mm f / 2.8L Macro IS USM

Best fisheye-lens for Canon SLR camera

Samyang 8mm f / 3.5 AS IF UMC Fish-eye CS II Canon EF

Samyang 8mm f / 3.5 AS IF UMC Fish-eye CS II Canon EF
An untrained person will be very surprised at the convex front lens that this lens is equipped with. Its presence is explained by a very wide angle of view. The lens has an 8mm focal length! This allows him to fit into the frame a lot of everything. Most often, “fish eye” type lenses are used at weddings and in reportage shootings of photo artists. But this specimen does not have the highest price, so even amateurs buy it. Various experiments are possible with it. There is no autofocus for this optics, but it is not required. The fact is that such lenses are almost always focused on infinity.
Samyang 8mm f / 3.5 AS IF UMC Fish-eye CS II Canon EF

Main advantages:

  • Low price
  • Low weight (442 g)
  • Quality build
  • High enough sharpness


  • Not a very convenient way to change the lens
  • A cheap lens hood is included

Owners opinion about Samyang 8mm f / 3.5 AS IF UMC Fish-eye CS II

Samyang again offers an interesting alternative to the lenses of “native” manufacturers of photographic equipment. Both optically and constructively, Samyang 8 / 3.5 is a very worthy product, which can be an excellent tool in the hands of both an amateur and a professional. A good price-quality ratio in the case of this lens is the main trump card of the Korean company.

Video test Samyang 8mm f / 3.5 AS IF UMC Fish-eye

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